Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. By Siglind Bruhn.Messiaen’s Explorations of Love and Death: Musical Signification in the ‘Tristan Trilogy’ and Three Related Song Cycles. By Siglind Bruhn. Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera. By Siglind Bruhn.
Identifieur interne : 000127 ( Main/Exploration ); précédent : 000126; suivant : 000128Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. By Siglind Bruhn.Messiaen’s Explorations of Love and Death: Musical Signification in the ‘Tristan Trilogy’ and Three Related Song Cycles. By Siglind Bruhn. Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera. By Siglind Bruhn.
Auteurs : Christopher DingleSource :
- Music and Letters [ 0027-4224 ] ; 2010-08.
Url:
DOI: 10.1093/ml/gcq045
Affiliations:
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